|
Manos Tsangaris
compositions [released at Thürmchen Verlag Cologne]
| Diskrete Stücke (2006) | Hörszenen for single observers; commissioned by Westdeutschen Rundfunks - premiere WDR Funkhaus Wallrafplatz 2007 |
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Die Sonne so breit wie ein Menschenfuß (2007) |
Landschaftszeichnung for moving and static sources of light at night; premiere Ruemlingen (CH), 2007 |
| Memento (Lots Weib) (2007) | Musiktheater - premiere Semperoper Dresden (kleine Szene), 2007 |
| Botenstoffe. Orestie (2007/07) | Stationentheater - premiere Schauspiel Köln 2007 |
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Centralstation Vom Außen und Innen der Städte (2006) |
Musiktheater - premiere Schauspiel Köln 2006 |
| Labor (2005) |
four compositions for soprano and ensembles, performances,
living pictures, installations and drawings; commissioned by Stadt Witten for the festival Wittener Tage fuer neue Kammermusik, premiere Witten 2005 with Dorrit Bauerecker, Axel Block, Renate Fuhrmann, Katharina Hagopian, Patrick Hahn, Dominik Klingberg, Frank Koellges, Anja Lais, Jaki Liebezeit, Agnes Mann, Thomas Meixner, Dirk Müller, Udo Moll, Ingrid Müller-Farny, Ivo Rose, ensemble recherche, Klangforum Wien |
| Ich bin nur scheintot (2004-05) |
for chamber choir and electronically modified
voices. Texts from the diaries of Hans-Christian Anderssen - commissioned by Kunststiftung NRW - premiere Cologne 2005 with the Danish National Choir and Hotel Pro Forma, Copenhagen; 80' |
|
miniatures for rooms with a limited number of
audience / theater for a house - for speaker, singers, instruments and actors in ensembles of different sizes or solo - commissioned by Suedwestrundfunks for Donaueschinger Musiktage 2004 - premiere Donaueschingen 2004 with Dorrit Bauerecker, Markus Boysen, Pi-hsien Chen, Katharina Hagopian, Marlies Klumpenaar, Harm Meiners, Thomas Meixner, Dirk Müller, Ingrid Müller-Farny, Dagmar Ondracek, Matthias Rebstock, Chiho Takata, Petra Torky and others |
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| Die Doener-Schaltung (2004) |
miniatures for rooms with a limited number of
audience / theater for a house - for speaker, singers, instruments and actors in ensembles of different sizes or solo - premiere Cologne 2004 |
| 2 + 1 (Zwischenreich) (2004) |
for soprano, organ, percussion and lights -
premiere Cologne 2004 - with Maria Jonas, Margareta Hürholz and Thomas Meixner |
| Wieso wir das alles machen (2004) |
for two flutes, accordeon, three helpers and
lights - premiere Neue Reihe Donaueschingen 2004 - with Carin Levine, Katrin Zenz and Stephan Hussong |
| Ansage (2003) | for Flute solo - premiere Hannover 2003 - with Astrid Schmeling; 17' |
| Hier und Hier (2003) |
for two players, voice, mobile lightsources,
radios, objects - premiere
Hamburg 2003 with Hans Schuettler and Carlos Schoeppner; 8' |
| Orpheus, Zwischenspiele (2002) |
Stationentheater for soprano,
mezzo-soprano, altus, small orchestra, letter projection, 15 actors, at least 50 super-numeraries, Fadenorgel, elevator, three subway trains and light. Text: M.Ts. commissioned by Theater Bielefeld – premiere Bielefeld 2002 with Victoria Granlund, Maria Jonas, Charles E. Maxwell, Simon Stockhausen and Bielefelder Symphoniker (conductor: Carolin Nordmeyer); 90' |
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SCHICHTWECHSEL: Wie gehts Ihnen? (1999/2000) |
Raumdichtung for female speaker (actrice), lyric soprano, ensemble, text-projection and light. commissioned by Kultursekretariat NRW. premiere Cologne 2000, Buehnen der Stadt Koeln (Halle Kalk), with Petra Torky, Anna Maria Pammer and the ensemble musikFabrik (conductor: Jean-Marie Adrienne); 70' |
| Tafel N (2001) | version of Tafel 1 for a random number of players, in pairs at tables - premiere Gruenstadt 2001 with Neue Musik AG of the Leininger Gymnasium Gruenstadt (conductor: Silke Egeler-Wittmann); 30' |
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RELIEF ODER DIE BUCHSTABENREVOLTE (2000) |
Raumdichtung for female speaker, violine (soprano), horn in Fa, harmonium, sampler (soprano-saxophone), silent actor, stage installations, tape recordings, text projections and light sources; commissioned by Suedwestrundfunk for Donaueschinger Musiktage 2000, premiere
Donaueschingen 2000 with Petra Torky,
Freya Ritts-Kirby, Pi-hsien Chen, Franck Ollu, |
|
I n i t i u m for Ado und Elsa Müller (2000) |
for two speakers, organ, assistant (with percussion) and percussion; commissioned by Tage der Neuen Musik Ruemlingen 2000, premiere Ruemlingen (CH) 2000 with Elsa Mueller, Ado Mueller, Christian Dierstein, Matthias Rebstock and Pi-hsien Chen; 30' |
| Haben Sie Zeit? (2000) |
for female speaker, male speaker, violine (voice), oboe (english horn), horn in Fa, harmonium and percussion, text: Karl Valentin; commissioned by Deutschlandfunk. premiere Cologne 2000 with Hanna Schygulla, M.Ts. and Ensemble Modern (conductor: Kaspar de Roo); 27' |
| Glockenturm (1999/2000) |
for five churchbells and light; commissioned by Katholisches Bildungswerk Cologne. premiere Cologne 2000, St. Agnes Church; 17' |
| in situ (1999) |
for trumpet plus (small percussion and controlled light sources); premiere Berlin 1999 with Michael Gross; 15' |
| Drei Orte (1998/99) | for soprano-saxophone, piano, percussion and mobile loudspeakers
(three cd-players) commissioned by MusikBiennale Berlin - premiere Berlin 1998 with Trio Accanto (Yukiko Sugawara-Lachenmann, Marcus Weiss, Christian Dierstein); 17' |
| Fadenorgel (1998) |
interactive sound installation for light- and sound pendulums (six hanging cd-players) in a churchroom; commissioned by Singuhr-Hörgalerie at Parochialkirche Berlin - premiere Berlin 1998 with Ann-yi Eoetvoes,Maria Jonas, Jasmin Ndica, Günter Marquardt, Martin Schmitz and Simon Stockhausen. further performance at Kunstmuseum Toender, Danmark, Aug. - Okt. 1998 and at Festspielhaus, Dresden-Hellerau, July 1999 |
| Drei Miniaturen (1998) |
for three female voices; commissioned by Dioezesanmuseum Cologne - premiere Cologne 1998 with Ann-yi Eoetvoes, Maria Jonas and Veronika Winter; 8' |
| Sieben Fenster (1998) |
miniatures /
intermezzos for a large concert for soprano, mezzo-soprano, sopr.-saxophone,
trumpet, organ, |
| Wittenau Blu (1998) |
from winzig for two sopranoes, two violins, shrutibox, percussion, bariton (three players); commissioned by Stadt Witten, premiere Witten 1998 with Ann-yi Eoetvoes, Freya Kirby and Carlos Robalo; 4' |
| Tafel 3 (1997) |
for soprano, trumpet, objects, percussion, Fadenorgel, light (four player in a tree); commissioned by Neue Musik Ruemlingen - premiere Haefelfingen (CH) 1997 with Ann-yi Eoetvoes, Martin Schmitz, Eva Wuethrich, Markus Stockhausen and M.Ts.; 180' |
| Kugelbahn (1997) |
composed installation for one person in the center commissioned by Dioezesanmuseum Cologne - premiere Cologne 1997 |
| An die Vorwelt (1996) | for large ensemble, two speakers, solo-conductor and light; commissioned by Philharmonie Cologne, premiere Cologne 1996 with Franz-Xaver Ohnesorg, Rainer Riehn, Heinz-Klaus Metzger, Peter Eoetvoes, Ensemble Modern (conducted by: Jobst Liebrecht); 35' |
| Wünschkonzert (1996) |
for the ensemble L'art pour l'art in the Musikbox; commissioned by Bayerischen Staatsoper - premiere Munich 1996; 5' |
| Ein-Personen-Kopf-Duschen-Schreiber (1996) |
from winzig for super-8-film and percussion
(one player) premiere Berlin 1996 with Norbert van Ackeren; 4' |
| Nachtstück mit Fenster (1994) |
for soprano and chamber ensemble; commissioned
by
WDR - premiere Bielefeld 1994 with Beth Griffith, Pi-hsien Chen, Ellen Ruth Rose, |
| winzig (1993/...) | miniatures of music theatre for
rooms with limited audience capacity, Theatre or a House, for speaker, singer, instruments and actors in either ensembles of different sizes or as soloists - premiere Cologne 1993 with Beth Griffith, Pi-hsien Chen, Tobias Liebezeit, Christoph Gesing, Katja Wuesten, Frank Koellges, Stefan Kunzmann, Martin Schmitz, Thomas Kling, Albrecht Zummach, Uta Rings, Heinz Conrads, Gero Sprafke, Thuermchen Ensemble u.a. (further performances in Cologne, Berlin, Stuttgart, Krakow, Witten, Rotterdam, Berlin 2001) |
| grüns (1993) | sonometric composition for three pianos, video and actor |
| Shellbum Album (1992) | for piano - premiere Madrid 1992 with Klaus Steffes-Hollaender; 18' |
| Fadenwerk (1992) | for piano, tuba, bells and objects (2 Spieler) - premiere Cologne 1992 with Pi-hsien Chen and Klaus Burger; 18' |
| Tafel 2 (1991) | for
a house facade, voices, speaker, mobile instruments, tape recorder, mobile
lightsources, Fadenorgel, video-monitors, construction machines (ca. 30 participants). Text: Manos Tsangaris. – premiere Cologne 1991 with Maria de Alvear, Carola Bauckholt, Pi-hsien Chen, Anne Brauner, Jutta Rinas, Margret Bozionek, Klaus Burger, Caspar Johannes Walter, Reiner Winterschladen, Reiner Linke, Jaki Liebezeit, Frank Koellges, Rainer Riehn, Heinz-Klaus Metzger, Harry Michels, Theo Roos, Thomas Kling, Christoph Gesing, Angelika Antl, Stefan Krachten, Doris Schulte, Katarina Schutzius, Trudy van Soest; 60' |
| Tafel 1 - Wiesers Werdetraum (1989) | for
two or three players at a table, walkman, radio, mobile lightsources and Fadenorgel
(one player). text: Hyacinth Freiherr von Wieser - premiere Cologne 1989 with Rainer Riehn, Heinz-Klaus Metzger, Thomas Witzmann and M.Ts.; 23' |
| Köpfe (1985/89) | for heads, installation and small ensemble - premiere Cologne 1985 with Normand
Doyon, Birgitt Harnisch, Friedrich Gauwerky, Lothar Kompenhans, Heinz-Klaus Metzger and Thomas Witzmann; 50' |
| Schütten! (1985) | for
four actors. - premiere Munich 1985 with Stefan Gabanyi, Christoph Gesing,
Stephan Wunderlich; 2'-4' |
| Quartett
für Diskantinstrumente former title: Was wenn das Mondlicht auf dem Wasser sich böge um mein Auge zu verfehlen? (1984) |
premiere Duesseldorf 1984 with
Bozzard-Quartet; 17' |
| Meine sehr verehrten Dameisen und Herrenmeisen (1982 / 83) |
for speaker, scenic action,
piano and tape recorder. - premiere Cologne 1983 |
| Monde (1983) | for female speaker, tape recorder and small ensemble - premiere Cologne 1983 with Ute Langanky, Thomas Witzmann and others |
| Pfähle – Hommage à Richard Long (1981) | draft-text, performance, audiorecording and b/w slides - premiere Cologne 1982 |
| Blaues Kreuz (1981) | for two actors (also: high wood
wind-instrument and key instrument), objects and light. premiere Cologne 1982 with Robyn Schulkowsky and Michael Niesemann; 12' |
| So Low (1981) | for double-bassclarinet and disturber - 2 parts - premiere (part 1) Cologne 1981 with Michael Riessler and M.Ts., 10' |
| o.T. (1980) | for bassclarinet, voices, objects,
light and a non-prepared person within the audience dedicated to Mauricio Kagel, premiere Cologne 1980 with Carola Bauckholt, Chris Newman, Michael Riessler and Stephan Seauvageot, 3' |
| Molto Molto (1980) | for conductor and light, premiere Cologne 1980 with Wolfgang Badun, 3-5' |
| "ö" (1980) | for three speakers, noises and light, premiere Cologne 1980, 3' |
| Stuhlgang (Meta) (1980) | for two actors, objects and light, premiere Cologne 1980, 3' |
| Traktat (1979) | for actor, objekts and light, premiere Cologne 1980 with Carola Bauckholt and M.Ts., 2' |
| Studie (1978) | for actor and light, premiere Cologne 1979 with Johannes Schmidt-Sistermanns and Daniel Weissberg, 3' |